Often in life, I have heard others name what they see in me, "gifted", "talented", and I spent some time in self-discovery. I set the intention to have testing done to confirm this. I am learning new terminology. Fun!
GIFTEDNESS EVALUATION PROFILE · PREPARED FOR GIFTED DEVELOPMENT CENTER
ʻIolani Puʻu Kolenc
Asynchronous & Multipotential Gifted Profile
UCSB — Summa Cum Laude · MFA, CalArts · Santa Barbara, California
This profile documents a lifetime of intellectual and creative giftedness expressed under conditions of sustained, compounded adversity — including two domestic violence relationships, economic precarity, compelled labor, and a 33-year coercive control relationship — and across domains rarely held together: advanced mathematics, multi-language acquisition, embodied somatic intelligence, choreographic theory, and cultural peacebuilding. The ACE (Adverse Childhood and Adult Experiences) score is 8.
What the academic record shows in grades, the full picture reveals as something rarer: the capacity to think at the highest levels while carrying an extraordinary weight — and, crucially, the capacity to be entrapped in vulnerability before trauma could even begin to be processed.
AT A GLANCE
8
ACE Score (Adverse Experiences)
3+
Languages studied (Hebrew, Hawaiian, Slovenian)
A+
Calculus, Hebrew, Mime, Economics
35+
Years of academic and creative record
CORE ASSESSMENT
🧮 Multi-Domain Intellectual Mastery
Achieved A/A+ grades in Calculus, Statistics, Macroeconomic Theory, Intermediate Accounting, and Hebrew language sequences — simultaneously — while working full-time as a waitress and living under domestic violence. These are not complementary subjects. They represent distinct cognitive architectures being engaged in parallel at a high level.
🌐 Linguistic Giftedness
Completed six sequential Hebrew courses (HEB 1 through HEB 115C) earning A and A+ grades, including advanced literary readings. Currently studying both Hawaiian and will soon return to studying Hawaiian. Slovenian — languages of her ʻohana and of her Slovenian diaspora lineage. First language learned was French, while hired to work as a nanny in Paris to incorporate teaching the children English. Within a 9 month period became fluid conversationally with the last day in Paris including a trip to a market with a friend who was studying French at the Sorbonne. A vendor asked me in French, what is a French girl like you doing with an American. I got help translating a teaching script into Turkish to become the first guest artist with Cati to make an effort to teach in the students native tongue, and they communicated it made a huge difference. For the Alma Karlin project I learned 200 words to practice while in Slovenia for a one month creative residency and performance at the national performing arts center. Picking up Spanish a bit through restaurant work. Going through all the Duolingo models for each language and doing at least one level. This is deep, sustained acquisition across typologically distinct language families, indicative of high phonological and semantic processing capacity.
🌀 Asynchronous Development
The academic record was produced in fragments across decades, interrupted by crisis, labor demands, and displacement. The profile's sole F and two withdrawals occur in 1992 — the year of family wage theft, displacement, AND the beginning of DV Relationship #2. Context transforms these data points entirely. Giftedness in the presence of coercive control does not look like a smooth upward line. The F was taken because the teacher would not give an extension, and the work could not be completed in 8 weeks given the nature of the work. When she re-enrolled in the class and handed in the paper, the teacher felt horrible, he didnʻt realize the nature of the work and both her Economics mentor, Doug Morgan and the teacher said her paper was publishable. An undergraduate creating publishable work.
🎭 Embodied & Somatic Intelligence
Sustained advanced ballet and modern dance training through years of physical and psychological stress. Achieved A+ in Fundamentals of Mime, A+ in Dance Lighting Design, and consistent A-level choreography work. The body was both creative instrument and, in somatic terms, a site of knowing — a form of intelligence that formal testing instruments routinely miss. In the dance education, she was competing with dancers that had been dancing since they were young. She was told by one mentor, Alice Condodina, while working in her college professor research work, an experimental project called “Smudged”, she told her she had absolutely no technique, but they took her based on her talent, which wasnʻt true, she just had an incredibly unique movement style that was recognized by visiting artists such as Peggy Baker, who told her she had what the others were hoping to find, and Margie Gillis, who in a master class said, if she could learn to shape her style, it would be something exceptional. Other professors invited her into their process, including James Donlon, invited her to work with his professional level movement arts collective, and Tonia Shimin. She was invited to be the soloist in a film which was the teacherʻs first dance film. It won a CINE Golden Eagle Award, and none of her work after that received an award of this level, indicating to the soloist, that her neurodivergent giftedness was a part of the dynamic.
⚡ Autonomous Self-Direction Under Crisis
Left DV Relationship #1 in 1986. In 1991, when denied promised wages, independently liquidated personal assets (gold Krugerrands), traveled to Switzerland, enrolled at Scuola Dimitri, and returned with a reoriented creative path. This is sovereign executive action taken from inside a crisis — without institutional support, without permission.
🔗 Creative Synthesis Across Disciplines
Holds concurrent mastery of economics, choreographic theory, visual art, photography, and cultural peacebuilding. TA positions at CalArts spanned both video and costuming — production and design simultaneously. This is not breadth for its own sake but integrative intelligence that consistently finds the connective tissue between domains others treat as entirely separate.
CONTEXTUAL ANALYSIS
The following documents the conditions under which the academic record was produced. This context is not offered to explain gaps or lower grades — it is offered because the achievement itself changes meaning entirely when these conditions are known.
CONTEXT DV Relationship #1, Full-Time Labor & A-Level Economics
Prior to 1986, coursework was produced while living in DV Relationship #1, working full-time as a waitress, performing supplemental janitorial work at a partner's job, and providing grounds and household maintenance in exchange for housing — labor she eventually refused and successfully stopped. The economics and Hebrew courses from this period include A+ grades in Calculus alongside A+ grades in Hebrew.
In gifted evaluation frameworks, the ability to sustain executive function, abstract reasoning, and memory consolidation under chronic threat represents an extraordinary cognitive profile. These are not merely good grades. They are evidence of a nervous system capable of protecting higher-order cognition under adversarial conditions.
The course work was chosen to be light, because at this time, it was emotionally difficult to be going through the divorce process.
ACE SCORE 8 DV Relationship #2: Entrapment During Acute Illness
DV Relationship #2 began in summer 1992 — one year after the family displacement crisis. Before any processing of prior trauma could occur, ʻIolani contracted shingles within almost two months of meeting. Her partner oversaw her care during this acute illness and used that period of physical vulnerability as a mechanism of separation from her ʻohana.
This is a clinically significant pattern of coercive control: entrapment occurs during a moment of somatic crisis, before the nervous system has had any opportunity to process prior injury. The ACE research literature documents that a score of 8 is associated with profound impacts on executive function, memory, stress-response regulation, and immune function — all systems that gifted achievement depends upon. That any academic or creative work was produced across the subsequent 33 years is itself a marker of exceptional resilience and cognitive reserve.
SELF-DIRECTION Parallel Labor, Tutoring & Business Management
While completing coursework, ʻIolani simultaneously worked as a waitress, served as an economics tutor (peer teaching requiring command of material at an instructional level), and managed the family surf shop. At CalArts, she held two concurrent TA positions in video and costuming.
Peer tutoring in economics while taking upper-division economics coursework is a strong gifted indicator. Teaching requires a qualitatively different cognitive relationship to material than learning — it demands the ability to model another person's confusion and construct a bridge from their understanding to the concept.
CONTEXT 1991–1992: Family Displacement, Wage Theft & Academic Interruption
After leaving DV Relationship #1 and moving to her parents' home, ʻIolani discovered that the wages she had been promised were being withheld — and that her father framed her living situation as a debt she owed. The sole F in the record (DANCE 145B, 1992) and the single withdrawal are located precisely in this crisis year. The F, as noted above, was by choice, she couldnʻt complete the assignment within an 8 week period.
She retook Dance History and earned an A. The professor, upon receiving her paper, expressed regret that he had not understood what she was doing when she first enrolled and had given her an F This is consistent with a pattern across her undergraduate record: work produced at a level that exceeded the expected scope of the assignment.
A localized disruption followed by a clean return to excellence is a hallmark of gifted learners whose performance is environmentally sensitive rather than capacity-limited.
PUBLISHABLE Faculty Recognition of Publishable-Quality Undergraduate Work
Two faculty members across entirely unrelated disciplines independently identified portions of ʻIolani's undergraduate work as being of publishable quality. Doug Morgan, her economics tutor, reviewed her economics work and told her directly that portions were publishable — and actively encouraged her to pursue publication. Her dance history professor arrived at the same assessment independently.
Convergent recognition of publishable quality from faculty in economics and dance history — disciplines with no shared methodology, audience, or evaluative framework — is a significant gifted indicator. It suggests not merely proficiency within a discipline, but the capacity to generate original thought that advances a field's conversation. This is rare at the undergraduate level under any circumstances. That it occurred across two disciplines simultaneously, while the student was navigating displacement, compelled labor, and the onset of a second coercive control relationship, places it in a category of intellectual achievement that formal GPA alone cannot capture.
ACADEMIC The Return to Learning: 2019–2022
Decades after the core UCSB record, ʻIolani returned to formal study at Santa Barbara City College. An A in Creative Thinking (2019), A+ in Photography (2022), and B+ in Media Design sit alongside lower grades in Graphic Design and Digital Literacy — courses requiring unfamiliar software toolsets. This is a precise picture of a gifted learner: conceptual and perceptual domains remain at the top; novel procedural-tool domains show the expected learning curve. The profile is coherent and self-consistent across 35+ years. The course work in 2019 occurred at the time when she had a UTI, and was transferred after a 911 call indicating a medical emergency, to the jail by the SBCSD, where she was assaulted, then to a psychiatric hospital, and then to a Crisis residential center, where she returned to the 4 course workload. At this time, the DV relationship #2 threw a coupe, and she was told that her dance company she founded, they were going to move on without her. She resigned from the foundation that the coercive controller had become President of (she created the foundation). The other artist took over her emails linked to the online study, and while recovering she had to fight to get her passwords back to access school. She was only able to get online for 3 ½ hours a day, and with the exception of the creativity class, she needed the internet for some of the assignments given the programs were connected to software through a subscription online. At one point, she quit submitting work to one of the classes, because with these constraints, and the overwhelming grief about loss of her dance company, and being told she couldnʻt come back to the house, and was going through the stress of other meetings to make arrangements to go to the PATH shelter. The teacher gave her a C based on the work she could. She notes, the graphic design teacher seemed to take a personal disliking to her, and was abusive, and doesnʻt believe the quality of her work reflects the grade.
PIVOTAL MOMENT
A Sovereign Act of Self-Reclamation
In 1991, ʻIolani had been offered — and declined — the opportunity to study with Marcel Marceau, the foremost mime artist of the 20th century. She had redirected toward economics. When the family labor arrangement collapsed, rather than seeking institutional support, she independently sold eight gold Krugerrands and traveled to Switzerland to study at Scuola Dimitri — a school of physical theater and mime founded by Dimitri, the Swiss clown-philosopher — to, in her own words, 'let go of the past.'
What happened in the Alps was not planned. She describes sensing the mountain — an experience of embodied presence and perceptual opening that shifted her path back to the arts. This is a sophisticated description of somatic epistemology: the body as a site of knowing that reorganizes cognitive priority when given the conditions to do so.
The decision itself — to convert a material asset into a transformative experience, without permission, as a response to a psychological and economic crisis — is an act of what gifted theorists call intensity in action: the refusal to respond to extraordinary circumstances with ordinary solutions.
LONGITUDINAL VIEW
Pre-1986
DV Relationship #1 / Full Academic Performance Maintained. Working full-time as waitress, performing compelled labor, while earning A+ in Hebrew sequences, A+ in Calculus. Marcel Marceau opportunity emerges and is ultimately declined.
1986
Leaves DV Relationship #1. Academic record post-departure shows no decline — consistent excellence continues across Economics, Hebrew, and Mathematics.
1988–1990
Peak academic productivity. ECON 3B (A+), MATH 3A Calculus (A+), HEB 115B (A+). Simultaneously tutoring economics and managing the family surf shop. Five concurrent roles.
1991
Family displacement; wages withheld. Sells Krugerrands. Travels to Switzerland. Enrolls at Scuola Dimitri. Somatic-perceptual shift in the Alps. Returns with reoriented creative path.
Summer 1992
DV Relationship #2 begins. Contracts shingles. Partner oversees care during acute illness. Separation from ʻohana achieved through vulnerability. Entrapment before any prior trauma processing. The sole F in the record falls in this crisis year.
1992–1993
Returns to UCSB. Publishable-quality work recognized across two disciplines. Retakes Dance History — earns A. Professor expresses regret he did not understand what she was doing the first time. Economics tutor Doug Morgan independently identifies portions of her economics work as publishable and encourages her to pursue it. Two faculty in unrelated fields reaching the same conclusion simultaneously is a rare gifted marker. Continues advanced choreography, music, and dance at high level through graduation.
CalArts (MFA)
Dual TA positions: video and costuming. Recognized as teaching-level contributor in two distinct production domains simultaneously.
2019–2022
Return to formal study at SBCC. A in Creative Thinking, A+ in Photography, B+ in Media Design. Conceptual/perceptual domains remain at the top.
Present
Ongoing intellectual and linguistic development. Studying Hawaiian and Slovenian. Producing theoretical frameworks (Cardiac Theory of Gaslighting, Solar Plexus Theory of Gaslighting). AIRFA recognition as Traditional Hawaiian Cultural Practitioner. Giftedness evaluation sought.
FOR THE EVALUATOR
INTELLECTUAL Academic Indicators
Simultaneous high performance in logico-mathematical (Calculus, Statistics, Microeconomic Theory), linguistic (six-course Hebrew sequence, A/A+), and spatial-creative (Dance Lighting Design, Choreography, Photography) domains. Lambda Phi Beta Kappa at UCSB. MFA at CalArts. Produced under compounded adversity with ACE score of 8. Faculty in two unrelated disciplines — economics and dance history — independently identified portions of her undergraduate work as publishable quality, with Doug Morgan actively encouraging her to pursue publication.
SOMATIC Embodied Intelligence
Sustained advanced ballet and modern dance training through trauma. A+ in Fundamentals of Mime. Alpine somatic-perceptual shift as a driver of life-course reorientation. Later, described recovery of a locker combination after sauna/cold immersion as 'believing my own reality again' — an epistemically significant statement about the relationship between somatic and cognitive clarity.
INTENSITY Dabrowski Overexcitabilities
The profile shows markers consistent with Dabrowski's psychomotor (dance, sustained physical discipline), intellectual (cross-domain curiosity, language acquisition, theoretical writing), imaginative (choreographic synthesis, somatic-perceptual experiences), and psychomotor overexcitabilities. The intensity of her response to injustice — producing theoretical frameworks, filing formal legal documents, seeking evaluation — reflects moral-intellectual overexcitability characteristic of Level IV–V development.
TWICE EXCEPTIONAL 2e & Trauma Considerations
An ACE score of 8, combined with 33 years in a coercive control relationship that included documented separation from ʻohana and medical entrapment, has well-documented neurological impacts on executive function, memory consolidation, and stress-response systems — the very systems that gifted performance depends upon. The presence of lower grades in novel procedural-tool courses (2019 graphic design sequence) alongside sustained excellence in conceptual domains is consistent with a twice-exceptional profile. Screening for attentional and processing characteristics under the 2e framework is warranted.
"Giftedness in the context of adversity does not look like a smooth upward line. It looks like this: excellence sustained against odds that should have broken it, autonomous pivots made without institutional permission, and a capacity for synthesis that never stopped — even when everything else had to."
ʻIolani Puʻu Kolenc · Giftedness Profile · Prepared for Gifted Development Center